解析《罗密欧与朱丽叶》的四种结构

Interpretations on the Four Types of Structures of Romeo and Juliet

文章对舞剧、音乐剧不同版本的《罗密欧与朱丽叶》进行比较研究,探讨包括时间性结构在内的叙述语境之建构、叙述视角的延续与变换、整全与局部之关系、叙述节奏与段落甄选原则。文章解析约翰·克兰科(John Cranko)、安杰林·普林祖卡(Angelin Preljocaj)、沙莎·瓦兹(Sasha Waltz)的舞剧及音乐剧共四个版本的《罗密欧与朱丽叶》之结构特征,对同一主题的不同舞台艺术形式表演进行对比论证,聚焦于舞台艺术作品结构的实践与学理性探讨,旨在为表演艺术的舞台实践研究提供参考和借鉴。

Based on the theory of structuralism,this paper makes a comparative study of the different versions of Romeo and Juliet in the perspective of its structure,and discusses the construction of narrative context including time structure.It focuses on several points:the continuation and transformation of narrative perspectives,the relationship between the whole and the part,the narrative rhythm and the principle of selection of paragraphs.The paper explains in detail the structural features of Angelin Preljocaj,Sasha Waltz (Musical)and the French musical version of Romeo and Juliet,which is the same subject in the different artistic form of the contrast in the demonstration,focusing on the structure itself in practice and rationality,to point to the performing arts of the theater practice to study.