唐音、宋调的离合——论宋代闽地理学家的诗学之路

The Polymerization And Variance of Tangsound and Songtune——A Discussion for the Path of Poetic Theories in Fujian During the Song Dynasty

宋代闽地理学家经历了一个比较清晰的诗学之路。北宋时期到两宋之际的闽地理学家并没有诗风自立的倾向,诗歌创作兼具唐音及宋调。而到了两宋之交至南宋中期,随着闽地理学的兴盛,理学家在诗歌创作上初步呈现出语录体诗歌的特征。同时,对唐人诗的评价及接受也出现新变性。南宋中期以后,以真德秀为代表的"击壤派"理学家将诗歌散文化及诗教观极致化,为宣扬其道学服务,故此,无论是"理学家"诗体还是模仿唐人之作,都呈现出共同的风格特征,具有唐音、宋调合流的趋势。

The neo-Confucianists in Fujian experienced a clearer way to explore the path of poetic theories during the Song Dynasty. From the Northern Song Dynasty to the Southern Song’s, these neo-Confucianists did not have their own poetic styles and poetry creation which include Tang sound and Song tune. In the middle term of the Southern Song, the Neo-Confucianism flourished in Fujian, and neo-Confucianists started to have the quotations of literature while they composed the poems. Meanwhile, there were new changes when these intelligentsia evaluated and accepted the Tang Dynasty’s poetries. After the middle term of the Southern Song Dynasty, Neo-confucianists and its representive of Ji Rang School, Zhen Dexiu, started to conduct and upgrade the level of the poetic culture and poetic education to promote their neo-Confucianism values. Therefore, not only the style of poetry created by"neo-confucianists" but also the Tang Dynasty poetry imitations share the same characteristics which include the combination of Tang sound and Song tune.