水墨意象造型在动画角色设定中的当代转换

The Contemporary Conversion of Ink Image Modeling in the Setting of Animation Characters

文章探究水墨意象造型法则在动画角色设定中的应用,使国产动画制作走出一条有中国传统文化特色的发展之路。在动画设定中直接运用水墨造型作为动画角色,将传统中国绘画中意象表现理论追求的天人合一思想与动画角色设定相结合,在创作思路上进行融会贯通。在动画角色绘制技法上,将中国绘画意象表现中的极简理论运用在角色线条描绘和色彩处理上,改变传统的观察方法,提取角色个性特征加入作者的思想感情与主题内涵,创造出有生命的动画角色形象。水墨意象造型元素与动画角色设计的融合,使国产动画不再追随欧美和日本动画的风格,而是走出了一条有中国传统文化内涵的创新之路。

Objective to explore the application of ink image modeling law in the animation character setting, so that the domestic animation production has a traditional Chinese cultural characteristics of the development road. Methods: Ink modeling was directly used as animation characters in animation setting, combining the idea of the unity of nature and human in traditional Chinese painting with the setting of animation characters, and integrating the ideas of creation. In the animation character drawing technique, the minimalist theory in the image expression of Chinese painting is applied to the description of character lines and color processing, and the traditional observation method is changed. The character personality characteristics are extracted and added to the author's thoughts, feelings, and theme connotation. Create a living animated character image. Conclusion: the fusion of ink image modeling elements and animation character design makes the domestic animation no longer follow the style of European, American and Japanese animation, but instead takes a creative road with the connotation of Chinese traditional culture.