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9~11世纪爱尔兰--撒克逊与维京艺术中的图形比析

The Comparison Between Ireland-Saxon Art and Viking Art of the Graph from 9th Century to 11th Century
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摘要 9~11世纪是欧洲中世纪美术发展较为关键的一个阶段:一方面,经过黑暗时代,各蛮族王国的文化获得发展并在基督教语境下与不同传统相融,北欧维京人此时掀起的惊涛骇浪更促动了这一点;另一方面,更为广泛的国际性风格还未真正形成。文章以图形为研究对象,针对爱尔兰—撒克逊艺术与维京艺术之间的区别与联系作出分析,着眼点不限于形式本身,而是其演变的背景与过程。 From 9th century to 11th century,the development of medieval European art is an essential stage for the art developing history: On one hand, during the Dark Age, different barbarian kingdoms was developed and different cultures and arts was integrated within the Christian cultural environment. The process of Vikings robbing and colonizing also facilitated the integration among different art styles. On the other hand, the wide-ranging international art style has not been formed yet. In this article, I will mainly focus on the research on European graph art and analysis the relationship between Viking art and Ireland-Saxon art by studying graph art. My focal point is not only the form of graph itself, but also the background and evolution process of the medieval European graph art style.
作者 赵金 Zhao Jin(School of Arts and Humanities,Tianjin Academy of Fine Arts,Tianjin 300141.China)
出处 《艺术与设计(理论版)》 2018年第12期119-121,共3页 Art and Design
关键词 爱尔兰一撒克逊 维京 图形 艺术 Ireland-Saxon Viking graph art
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