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丧文化:一种对现代性的激烈反抗 被引量:9

“Sang Culture”: A Racial Resistance to Modernity
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摘要 丧文化是一种会过时的潮流,但背后的集体焦虑并没有过时。当下这一轮丧文化与过去100年中的"迷惘的一代""垮掉的一代"以及中国在现代化进程中的各种迷惘现象产生的情势类似,新技术带来新社会行为的大量变化,引起社会关系的重新组织,反现代性的行为虽然不受主流倡导,却始终伴随着现代性的发展而存在。这一轮丧文化的发生也是处于社会发展变化时期,在社交媒体兴起之后,经过一系列类似导火索的现象铺垫,以破窗效应爆发的社会思潮。如今整个时代处于焦虑视野,每一轮的"丧"除了浪潮般的存在,也许能给我们更深层的启示。 "Sang Culture" is an outdated trend, but the collective anxiety behind it is not out of date. The contemporary situation of "Sang Culture" is similar to the "Confused Generations" and "Lost Generation" of the past 100 years and the various kinds of confusion that China has experienced in the modernization process. New technologies have brought racial changes in new social behaviors, which results in the reorganization of social relations. Although anti-modern behaviors are not advocated by the mainstream, they have always been accompanied by the development of modernity. "Sang Culture" is also in a similar social change. After the rise of social media, a series of similar fuses pave the way for the social ideological trend that breaks out in the form of broken window effects. Now that the entire era is in a state of anxiety, the tide of "Sang" may not only behave like a wave but give us a deeper insight.
作者 意娜 Yi Na
出处 《上海文化》 CSSCI 2018年第12期41-45,123,124,125,共8页 Shanghai Culture
基金 国家社科基金重大项目"文化产业伦理"(项目号:14ZDB169)的阶段性成果
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