中国有嘻哈吗?——基于网络综艺节目《中国有嘻哈》的文化批判

Does China have Hip-Hop?A Cultural Criticism Based on the Internet Variety Show “Rap in China”

中国嘻哈文化随着《中国有嘻哈》节目的火热走向了前台,但随着低俗歌词和PG One事件的影响,中国嘻哈进入了发展的瓶颈期。嘻哈文化不是孤立的文化现象,它是伴随着当代文化发展中网络文学、电子竞技、电影市场、综艺节目、网络红人、视频直播的兴起而出场的。这种市场消费和新文化群体在互动中构成了青年亚文化生态共同体。嘻哈说唱本质上是成长于青年亚文化共同体中文化消费的再生产行为,其发展中的问题源于互联网产业发展中的伦理失范。嘻哈文化是中国树立文化自信和加强国际竞争力的重要一环,这需要规范互联网产业伦理,积极治理产业伦理的土壤,让嘻哈文化在阳光下占有一席之地。

With the heating Internet program "Rap in China", China’s Hip-Hop culture has been spotlighted completely. However, influenced by the vulgar lyrics and PG One affair, it hits a bottle neck in its development. Hip-Hop culture is not an isolated phenomenon, accompanied by the flourishing cultural tide of cyber literature, electrical sports, film market, variety shows, online celebrities and live videos. The energetic consumption and new-generation cultural groups constitute the youth subculture ecological community in the interaction. Hip-hop rap is essentially a reproduction of cultural consumption in the youth subculture community. What’s more, its development problem stems from the ethical anomie in the development of Internet industries. Hip-hop culture is an important part of building cultural confidence and strengthening international competitiveness for China, which calls for the needs to regulate the Internet industrial ethics and re-mediate industrial ethical soil, thus rendering the hip-hop culture its own place in the sun.