摘要
辛亥鼎革后,由帝制迈入共和的遗民,面临时代遽变带来的冲击,陷入前所未有的尴尬:守旧趋新、华夷之辨、国体之争,纠缠着传统知识分子的现实出处,其文化立场和身份认同,是新旧交替群体研究的重要命题。本文通过民初著名文人樊增祥的诗文、图像、笔记及报载材料,考察一个非典型性遗民的政治抉择和价值取向,由此管窥社会转型对传统观念的解构。
After the Revolution of 1911,the survivors who entered the Republic from the monarchy faced the impact of the dramatic changes of the times and were involved into unprecedented embarrassment:the old and new,the differentiation between Chinese and foreigners, the struggle of state system,the tangle of traditional intellectuals'realistic origins.Their cultural standpoint and identification are important propositions in the study of the alternating groups of the old and the new.Through Fan Zengxiang's poems,pictures,notes and newspaper materials,this paper investigates the political choices and value orientations of an atypical survivor,thus exploring the deconstruction of traditional concepts by social transformation.
出处
《上海文化》
CSSCI
2018年第12期60-69,125,126,共12页
Shanghai Culture