“欧风东渐 度越古人”——民国时期女性中国画家的多样从艺形态

Eastward Transmission of European Style and Surpassing the Ancients:The Diverse Situations of Female Painters in the Republic of China Period

民国时期女性中国画家的资料相对匮乏,对女性中国画家这个群体的研究也不多见。本文通过对相关资料的梳理,从闺阁与师门、女子学校教育、社团与职业化等角度,对民国时期女性中国画家的从艺状态进行介绍。民国时期,大家闺秀习画渐成潮流,女画家亦广收门徒,并与女性的学校美术教育相互推动,蔚成风气。社会上形成女性画家社团,一些女性画家也呈现出职业化特点。这一时期的报刊杂志,也对女性画家的艺术、艺事积极报道。

Due to the scarcity of the documents and research on female painters in the Republic of China period,the paper makes a brief introduction of their art career and the related issues:boudoir apprentices and their masters,female school education,society and professionalizing and so on.In the Republic of China period,learning painting became a fashion for the girls from respectable families and most female painters started to accept lots of disciples.These practices and the female school education promoted each other to grow into a general trend.Some female artist society emerged and the female painters became more and more professional.The artwork and activities of the female painters were reported actively in the newspapers and magazines at that time.