切萨雷·布兰迪艺术修复理论评介

Introduction of Cesare Brandi's Theory of Artistic Restoration

艺术修复活动是以艺术遗产的物质媒介为对象,通过各种艺术观念进行价值厘定,并针对核心品质进行修复干预的活动。如何将艺术遗产所反映的历史特色和个体独创性整合到"普遍性艺术规范一具体作品表现"的古典主义与其"本质一显现"的二元关系视野中,是西方艺术遗产修复理论的重要命题。在维奥莱·勒·迪克和约翰·拉斯金的理论基础上,切萨雷·布兰迪提出了新的、具有系统性的艺术品修复理论,走出了古典的"本质-显现"视野。他将作品的物质材料看作是承载创作者艺术追求与作品历史境遇的核心媒介,成为了20世纪下半叶指导国际遗产保护活动和艺术品修复工作的重要理论基础。

Following the value judgment from various art concepts,artistic restoration activity takes the material medium of artistic heritage as the object and aims at its crucial quality.Considering the integrity of both "general art standard and specific artwork expression"of classicism and its dualistic relationship of "the essence and appearance",one important proposition in western art heritage restoration theory is how to reflect the historical features and unique characteristics.On the basis of the theories of Viollet-le-Duc and John Ruskin,Cesare Brandi put forward new systematic artwork restoration theory and broke though the classism pattern of "the essence and appearance".He regarded the materials of the artworks as the medium containing artists'ideal and the historical circumstances of artworks.His theory became the foundational direction of international heritage conservation and artwork restoration in the latter half of the 20th Century.