废墟时间中的美术馆艺仓美术馆被引量：4

The Museum in Ruin Time Modern Art Museum

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摘要艺仓美术馆的前身——老白渡码头煤仓.在1984年至2015年上海的急剧城市化进程中历经了数次功能与空间布局的改变,逐渐成了一座"废墟"。废墟化使得旧结构既呈现出自身建造的逻辑.也赋予了结构表征意义。通过"义肢"和"嫁接"两种方式.新结构形成了对旧结构的补充.使其能够满足新功能的需求,也使得上述废墟化所产生的结构意义的转变得以留存。 Pnor to the renovation,the Modem Art Museum by Atelier Deshaus was originally the site of the Old Baidu port coal warehouse,Built in 1984,the structure had undergone profound changes in terms of program and space until 2015 and was in a state of ruin when the renovation project started,The state of ruin has, on the one hand,enabled the old structure to speak for itself as to how it is made;on the other hand,given it a representational meaning,By being a kind of prosthetics to the old structure as well as ways of grafting,new structure not only fulfills new functions,but also preserves the state of ruin time in respect to structure.

作者莫万莉 MO Wanli

机构地区同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室

出处《时代建筑》 2018年第6期92-97,共6页 Time + Architecture

关键词废墟废墟时间艺仓美术馆结构 Ruin Ruin Time Modern Art Museum Structure

分类号 TU-86251 [艺术—艺术设计] TU242.5 [建筑科学—建筑设计及理论]

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