从召唤结构的角度浅析电影《情书》中男主角藤井树的“不在”

An Analysis of the Male Protagonist Fujii Itsuki "Absence in the Movie "Love Letter" from the Perspective of Calling Structure

角色对一部电影来说意义重大。原则上讲,主角是电影的感知中心,是关键人物。而电影《情书》却反其道而行之,男主角"藤井树"在影片中未曾真正存在过,可以说是全程处于"不在"状态。但正因为这种"不在"的属性,这个角色才更加深入人心,并承担了"在场"的角色们所无法承担的重要作用。因此,本文就从召唤结构理论的角度来解读导演对这一角色的构建。

Characters mean a lot to a a movie. In principle, the protagonist is the perception center and key character of a film. However, the film "Love Letter" did the opposite. The male protagonist "Fujii Itsuki" did not really exist in the film. In other words, he was absent throughout the film. But precisely because of this "absence", this character is more deeply rooted in the audience’s heart, and bears the role the present roles can not assume. This article analyzes how the director constructs this character from the theory of calling structure.