脱“俗”求“艺”:现代舞台化背景下传统秧歌的民俗因素分析

Eliminating the Vulgarity and Seeking the Artistry:An Analysis of the Folk-custom Factors of Traditional Yangko on Modern Stage

传统秧歌发展到今天,发生了包括现代舞台化在内的多种形式转换,与本土民俗文化形成了一定的疏离。这一脱"俗"求"艺"的过程,大致表现为两种形态:一是创作主体在创作过程中,因应现代文化规则而自我调适,由此呈现出与本土民俗文化的暂时性远离,属于"被动疏离";二是创作主体因渴望被整合到现代文化体系中,而积极融入现代文化语境,呈现出与本土民俗文化的持续性远离,属于"主动疏离"。关注传统秧歌在现代舞台化过程中与民俗文化的不同疏离关系,理解其在形态转换过程中的具体表现,有助于探索传统秧歌的历史脉络、当代转换及文化意义。

Traditional Yangko,which has been changing into various forms including"stage folk dance",has formed a certain degree of alienation from local folk culture up to today.The process of eliminating vulgarity and seeking artistry generally takes on two forms:One is passive alienation in which the creative subject is self-adapted in response to the rules of modern culture in the process of creation,thus showing a temporary distance from local folk culture;the other is passive alienation in which the creative subject is eager to be integrated into modern cultural aesthetic system and takes active parts in the integration of modern cultural context,presenting a continuous alienation from local folk culture.Paying attention to the alienating relationship between traditional Yangko and folk culture in the process of stage-modernization and understanding the specific performance of Yangko in the process of form transformation can help explore the historical context,contemporary transformation and cultural significance of traditional Yangko.