施佩特的“阐释符号学”思想评略

A Review of G. G. Shpet's Ideas of Hermeneutic Semiotics

研究俄罗斯符号学百年历史,不能不提及施佩特的阐释符号学思想。作为一种方法论,阐释符号学是现象学哲学与阐释学相结合的产物,其研究对象和视阈颇具俄罗斯特色——把对历史文化、语言符号和文艺作品的符号学阐释有机地结合在一起,生成出面向历史、意义、审美、心理、艺术和文艺作品的符号阐释阈,从而为俄罗斯符号学研究中"文化—历史主义范式"的形成和发展提供了不可多得的理论支撑。本文在梳理和分析阐释符号学思想的基础上,还着重对阐释符号学思想的意义和特点做了简要评述。

To study the century-long history of Russian semiotics, we must mention the hermeneutic semiotic ideas of Shpet. As a methodology, the hermeneutic semiotics is the result of combining phenomenological philosophy and hermeneutics. Its research object and perspective are quite Russian — integrating semiotic hermeneutics of historical culture, linguistic symbols and literary works, generating the perspective of semiotic hermeneutics for history, meaning, aesthetics, psychology, art and literary works, thus providing a rare theoretical support for the formation and development of the "cultural-historical paradigm" in Russian semiotic studies. Based on the analysis and interpretation of hermeneutic semiotic ideas, this article also focuses on a brief review of their significance and features.