台湾闽南语片中的奇幻想像——以《大侠梅花鹿》为例

A Fantastic Imagination in Taiwan Minnan Dialect Films:A Case Study of The Fantasy of Deer Warrior

台湾的闽南语片兴起,和香港的闽南语片发展有很大的关系。大约1955年,邵罗辉执导的《六才子西厢记》虽是台湾闽南语片草创作品,后来何基明与麦寮拱乐社老板陈澄三协议合作拍摄古装名剧《石平贵与王宝钏》, 1956年1月4日在台北"中央""大观"两戏院首映,获得空前成功。1961～1969年间是台湾闽南语片第二次的生产高峰,往后的十五六年间,台湾闽南语片发掘与造就了许多的编、导、演人才,逐渐走出自己的拍摄方向与定位,也为日后的普通话电影或闽南语电视剧奠下基础,促进台湾影艺戏剧工业的发展。1961年的《大侠梅花鹿》,张英导演透过奇幻想像创构出这部"天然景、禽兽装"的台语童话"森林保卫战"故事片,一转传统侠义人物形象与情节,影片非但卖座,并且留"空前绝后"的娱乐记忆,而《大侠梅花鹿》所凸显的正面形象及影片背后的教育意涵,更有开创台湾闽南语片丰富主题之时代意义。

The rise of Taiwan Minnanese film has much to do with the development of Hong Kong Minnanese film. The period,from 1961 to 1969,saw the second production peak for Minnanese film in Taiwan.In the next 15 or 16 years, Minnanese films in Taiwan contributed to the emergence of many talents for editing,directing and acting,and the gradual formation of the unique cinematographic style.They also laid the foundation for the future Mandarin films or Minnanese TV dramas,and promoted the development of Taiwan's film and drama industry.This paper,focusing on the 1961 The Fantasy of Deer Warrior,reveals that the Taiwan Residents fairy film of "Defense in Forest"with the "natural landscape,animal costume",derected by Zhang Ying,changed the traditional chivalrous character and plots through fantasy image.This film was not only popular,but also retained the memory of entertainment at that time.It highlighted the positive image and the educational influence,as well as developed the rich themes for Taiwan Residents films.