摘要
通过对卡夫卡"猎人格拉库斯"故事的再现和改写,泽巴尔德借助飘荡的船只意象、无处不在的"诡秘"分身及无尽的漫游描绘了一个"眩晕"世界,体现了现代人处于普遍眩晕中难以逃脱的困境。将眩晕的深层原因归于世界的偶然性和记忆的困难,泽巴尔德否定了浪漫主义传统的"爱欲救赎模式",将救赎的希望置于以记忆和互文性为中心的写作。泽巴尔德的救赎叙事也有它自身的矛盾和困难,表现在救赎的手段也是造成"眩晕"的原因,拯救的力量蕴含在"眩晕"之中。
The story of hunter Gracchus by Franz Kafka is represented in each chapter of W. G. Sebald’s Vertigo. Through his revision of the hunter story, Sebald depicts the existential predicament in which modern men suffer the pervasive vertigo. The dizziness manifests itself through the imagery of drifting boats, the ubiquitous uncanny Doppelg?nger and endless wanderings in the text. Sebald attributes such vertigo to the fear and despair of individuals, who are exposed to the contingencies of this world and the difficulties of memory. Through the hunter’s death, he discards the "erotic-salvific model" in romantic tradition and turns to writing per se, a Sebaldian way of redemption. Concentrated on memory and intertextuality, Sebald’s redemption narrative has its own dilemma: the potential salvation that lies deeply in vertigo is also the very cause of vertigo.
作者
王盛爽
Wang Shengshuang(Ph.D.candidate at Renrnin University of China,Beijing,China (100872))
出处
《当代外国文学》
CSSCI
北大核心
2018年第4期87-94,共8页
Contemporary Foreign Literature
