以声见色:《大佛普拉斯》声音造型论

Theory of Sound Modeling in The Great Buddha

声音对电影而言,具有拓展画面空间和传达创作意图的多重功能。声音表情和声音造型一直以来是电影创作和声音审美的努力方向。基于声音具有的心理属性之特征,可以促进影片风格显现、角色性格塑造、剧情发展演进、乃至价值内涵传递,呈现与其他创作元素的融合与组织功能。从声音的结构层次角度去感知创作意图和听觉效果。声音是否有效地作用于观众,既是创作者水平的衡量标尺,也是观众声音审美能力的评价准则。

Sound has such multiple functions as expanding the space of pictures and conveying creative intention. Sound expression and sound modeling have always been the striving focus of film creation and sound aesthetics. The psychological attributes of sound make it possible for film producers to promote the presentation of film styles,the creation of characters’ personality,plot evolution and development,and even the transmission of value connotation,showing the integration and organizational functions of other elements in film making. To perceive the intention of creation and auditory effect from the perspective of sound structural level,the sound effectiveness on the audience is not only the benchmark for judging the film producers but also the criterion for evaluating the audience’s sound aesthetic ability.