博纳富瓦:兰波的继承者

Bonnefoy, Rimbaud's Successor

伊夫·博纳富瓦是法国当代最伟大的诗人和杰出评论家。作为诗人,他创作的首要任务是关注他那个"特殊"的生命存在,力图在自己确定的范围内抓住或证明其生命的意义;他作为评论家,放在第一位的始终是阐述诗人或艺术家如何处理他的艺术创作与生命存在的关系。在深入反思诗歌本质问题的过程中,兰波对他产生了极其深刻的影响,他使他走近超现实主义,又使他与之告别,从而形成自己的诗学观:在现代意识中我们与世界的关系已经分离,诗歌以及其他艺术应该为修复这种关系发挥应有的作用。本文从"真实的生活"与"真实的场所"、"重新发明爱"与"重新发明希望"、"发明语言"与"发明在场"这些对应的关键词出发,浅析他如何从兰波那里继承了以下观点:诗歌改变生活的功能、洞观世界的理念、放弃对幻象超越的气魄。

Yves Bonnefoy is considered one of the greatest contemporary French poets and critics As a poet, he is primarily concerned with "the particular being," and he tries to grasp or verify the meaning of life in his own way. As a critic, his first priority is always the need to figure out how a poet or artist should deal with the relationship between artistic creation and personal existemce. He was strongly influenced by Arthur Rimbaud when he was keenly reflecting the true nature of poetry. Initially, Bonnefoy was drawn into surrealism by Rimbaud, but eventually he walked away from it because of him and developed his own poetics. In modern consciousness, we are already alienated from the real world. Poetry, as well as other artistic practices, should play a dutiful role in restoring our relationship with the world. With a focus on key terms like "real life", "real place", "rediscovering love", "rediscovering hope", "reinventing language," and "reinventing presence," this article attempts to discuss how he has inherited Rimbaun’s ideas on poetry’s function in changing life, the insightful conception of the world, and the courage of discarding transcendence.