融主体于客体,寓文学于科学——论《水经注·三峡》的立意谋篇

The Subject Being Melted into the object,Literary into Science——On the Layout of "Shui Jing Zhu: Three Gorges"

北魏郦道元的《水经注》原本是为古代的一部水文地理科学著作《水经》做注,按理应为说明文体。可是从《三峡》这篇文章的立意谋篇来看,却并非如此。立意上,它不是从客观介绍的角度而是从审美的角度来进行描写;谋篇上,它分别描述了各季节的看点并发表了主观感受。这种名不副实的写法不仅显示了作者的独创意识,也使得《水经注》这部作品具有了较高的文学价值。

The Northern Wei Dynasty's Shui Jing Zhu was originally made for the ancient hydrological and scientific work "Shui Jing",which should be explained as the expository style.However,from the perspective of the article "Three Gorges",this is not the case.In terms of purpose,it is not described from the perspective of objective introduction but from the perspective of aesthetics;as for the article,it describes the observations of each season and expresses personal feelings.This kind of misrepresentation not only shows the author's original consciousness,but also makes the work of "Shui Jing Zhu" have a high literary value.