吴冠中“生命的风景”——以“笔墨之争”为中心

Wu Guanzhong's "The Scenery of Life"——Taking the Dispute between Pen and Ink as the Center

吴冠中是中国画坛不懈的求索者,在晚年仍时而运用超前的美学思维挑起论战,尤以笔墨之争热闹。"笔墨之争"以如何评价中国画之传统笔墨为起点,实则关乎中国绘画现代化进程:中国画向何处去?这样一个时代、实际课题。吴冠中坚守油画民族化,水墨现代化,并取得让世人惊喜的卓越成就,构成他独特的生命风景。

Wu Guanzhong is an unremitting pursuit of Chinese painting circles.In his later years,he used his advanced aesthetic thinking to provoke controversy,especially in the struggle between pen and ink.The "writing of ink and ink"is based on how to evaluate the traditional Chinese ink paintings.In fact,it is related to the modernization of Chinese painting:where does Chinese painting go?It is a practical issue for such an era.Wu Guanzhong adheres to the nationalization of oil painting,modernizes ink painting,and achieves outstanding achievements that surprise the world,and constitutes his unique life landscape.