从“中国电影”到“中国学派”:一种基于电影实践层面的探讨

From "Chinese Film" to "Chinese School" : A Discussion Based on Film Practice

"中国电影学派"之成为热门议题,虽可以从历史中寻找端倪或追溯踪迹,但更是随着中国电影的当代发展应运而生的。在特定的历史文化语境中,有关"中国电影学派"的探讨,以及在此基础上生发的各种创作与话语实践,都可以用一种症候式的眼光来进行阅读,将其从狭义的概念认定与命名中部分释放出来,寻求一种具有问题意识的研究立场,而非单纯追求一种过于宏大的理论模版。因此,本文关于"中国电影学派"的讨论,主要围绕着电影实践层面(包括创作实践和批评实践)来展开。

Chinese Film School"has become a hot topic.Although it can find clues or traces from history,it has emerged with the contemporary development of Chinese films.In the specific historical and cultural context,the discussion of the "Chinese Film School"and the various creation and discourse practices based on it,can be read with a symptomatic vision,and released from the narrow definition and naming to seek a research position with problem consciousness rather than simply pursuing an overly ambitious theoretical template.Therefore,the discussion of "Chinese Film School"in this paper mainly revolves around the film practice level (including creation practice and criticism practice ).