民间美术在美术片创作中的得失考辩

Reflection on Gains and Losses of Folk Art in Animation Creation

文章以直接植根于和来源于我国民间美术形式的剪纸片、木偶片等类型的美术片为研究对象,分析其是如何结合自身艺术特征,开创性地对民间美术形式进行视觉重构,以及在这个过程中存在的缺陷;并在当下中国动画创作失去方向和自身风格屡遭诘难的背景下,重新思考和探索在现代性的审美语境中民间美术文化由传统向现代的动画转换路径。

This paper mainly focuses on the animation directly rooted in and originated from the folk art forms such as papercut,puppet and other types of art in China.It analyzes how it combines with its own artistic features to reconstruct folk art visually ,and to find the shortcomings in the meantime.Under the background that the current Chinese animation creation has been lost and its own style has repeatedly been censured,this paper will d explore the path of the transition from traditional to modem animations in the aesthetic context of modernity.