框中生景:丰子恺绘画作品中的框景表现与审美追求

Scenery Presented in Frames: Expression of Enframed Scenery and Aesthetic Pursuit in Feng Zi-kai's Paintings

框景是传统园林中构营空间的一种构景手法,景与景在框架的建构中相互介入。随着语意的扩展,框景不仅是一种园林空间的构景手法,还是基于这种手法而延展出的一种样式表现。这种样式不仅出现在园林中,还拓展到其他建筑类型以及绘画中。在绘画史中,中西方绘画界都出现过众多具有框景形式的作品,不同的艺术流派与不同的艺术家对框景的表现都有着各自的艺术追求。丰子恺绘画作品中也较多运用了框景这种艺术表现形式,并且在其中融入了个人的艺术风格与审美追求。结合丰子恺同题材画作以及个别西方绘画大家的相关画作来进行对比分析,可发现其框景样式画作中形式构成的间性表现和其画作视觉反馈机制的多层性。

Enframed scenery is a kind of landscape construction technique in traditional gardens.Scenery is integrated by the distribution of frames.With the extension of the meaning,enframed scenery serves not only as a landscape construction method of the garden space,but also a style of expression based on this technique.This style appears not only in gardens but also in other architectural types and paintings.Through the history of painting,there exist numerous works with enframed scenery in both Chinese and western painting circles.However,different art schools and different artists have their own artistic pursuits for the presentation of enframed scenery.In Feng Zi -kai's paintings,enframed scenery is often used as a form of artistic expression,in which his personal artistic style and aesthetic pursuit are integrated.Based on the comparative analysis on the same subject between Feng Zi -kai's paintings and those of some western painting masters,the inter -expressions of forms in his paintings with enframed scenery and the multi - layered characteristics of visual feedback mechanism of his paintings can be explored.