侵入“主流”的青年亚文化弹幕--基于英国伯明翰学派的文化研究视野

The Bullet Screen’s Invasion as Youth Sub-Culture into the “Mainstream” From the Cultural Perspective of the Birmingham School

随着网络技术的发展,弹幕这种新型的网络产物越来越得到关注。弹幕不仅是一种技术,同时也是一种文化现象,是处于父权权力之外的青年亚文化的体现。本文基于西方马克思主义的重要流派——伯明翰学派的亚文化视野,结合马克思的相关理论,考察弹幕文化的亚文化特性,以及其在当今社会流行的原因。同时,结合伯明翰学派提出的"收编"理论,考察弹幕亚文化与市场经济下大众文化之间的互动,认为仅从目前弹幕文化与大众文化的"交往"实例看并不能认为其被大众文化"收编",反而体现了其抵抗性,弹幕距离"大众"仍有一段路要走。

With the development of network technique,a new product of network,"the Bullet Screen",is attracting more and more attention.The Bullet Screen is not only a technique,but also a cultural phenomenon,representing a youth sub -culture excluded by the "patriarchy".Based on one of the major Western Marxist genres -the Birmingham Sub -Culture School,together with relevant Marxist theories,the thesis is to discuss the sub -culture features of "the Bullet Screen"and the reason behind its popularity in modern society.Meanwhile,after the application of the Birmingham School "Incorporation"theory and study of the mass culture interaction against the background of the Bullet Screen sub -culture and market economy,the thesis comes to the conclusion that according to the current "interaction"cases between theBullet Screen culture and the mass culture,the former is yet to be defined as "incorporated"by the latter.On the contrary,the "interaction"reflects the resistance of the Bullet Screenwhich indicates that there is still a long journey for the Bullet Screen to be incorporated into"mass culture".