摘要
建筑遗产是建筑,还是"石头的史书",决定着对建筑遗产保护持有的不同立场、观念和采取的不同保护方法。文章从建筑遗产的概念入手,通过梳理在不同概念基础上产生的建筑遗产历史性保护和艺术性保护二元论观点的思想根源及演化进程,论证建筑遗产艺术性保护的合理性和必然性,分析艺术性保护"做新"和"整旧如旧"的审美思想基础,探讨我国建筑遗产保护和利用的现实路径。
Is architectural heritage just about an architecture,or a "history book of stones"?The difference in definition may determine the perspectives,concepts and methodologies applied to the protection of architectural cultural heritage.From the standpoint of the concept of architectural heritage,this paper examines the ideological roots and evolutionary processes of resulting dualistic viewpoints on historical and artistic protection,hence demonstrates the rationality,necessity and inevitability of the artistic protection of architectural cultural heritage.It analyzes the aesthetic thinking foundation of the two positions on artistic protection:"restore to new form"and "preserve the old as the old",and explores the realistic ways of the protection and utilization of architectural cultural heritage in China.
作者
陈红雨
CHEN Hong -yu(School of Liberal Arts,Nanfing University of Arts,Nanjing,Jiangsu 210013)
出处
《艺术百家》
CSSCI
北大核心
2018年第4期152-160,共9页
Hundred Schools In Arts
基金
2013年度南京艺术学院校级课题资助项目“建筑文化遗产的艺术性保护研究”(项目编号:XJ2013002)阶段性成果之一.