摘要
早期中国电影表演理论由顾肯夫肇其始,中经郑正秋对电影表演与戏剧表演区别的分析、徐公美的"影剧动作术"、凤昔醉的"内心表演",至洪深而集大成。徐公美的"动作术"继续了《银幕上的动作》的电影表演话题,凤昔醉的"内心表演"则受该译著之启发,洪深综合两者,建立了相对完整、系统的早期电影表演理论。
The early theory of film performance in China was established by Gu Kenfu.Then Zheng Zhengqiu analyzed the difference between film performance and theatrical performance while Xugongmei developed the idea of "the art of action ".Later,Fengxizui proposed "inner performance"and Hongshen developed the above-mentioned early theories.Xu Gongmei's "art of action"deepens the discussion in the book Action on the Screen,by which (translated version)Feng Xizui's "inner performance"is inspired.Hongshen established a relatively complete and systematic theory of film performance based on the exploration of Feng Xizui and Xu Gongmei's.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2018年第6期103-110,共8页
Drama:The Journal of the Central Academy of Drama
关键词
电影表演
《银幕上的动作》
理论生成
film performance
Action on the Screen
development of theory