摘要
在20世纪早期中国文艺功能观念的发生过程中,"日本路径"主要作为域外思想观念、学术思潮的转移和接受中介而存在。而在实际过程中,这一路径的具体实践形态又区分为"西-日-中"和"苏(俄)-日-中"两种路径模式。正是基于对改变中国社会和生活现状的共同需要,以人生生活、社会现实为维度的生活改造取向和以革命功利主义、社会现实主义为观照的革命鼓动取向,共同构建了日本路径下20世纪早期中国文艺功能观念发生的基本面貌。
During the emergency of the Chinese function of literary and art in the early 20th century,"Japanese path"existed as the transition and acceptance medium of exotic ideology and academic trend of thought.However,in the actual process,this method can be practiced in two path modes:"western countries-Japan-China"and"Soviet Union-Japan-China"mode.It is on the basis of the common needs of changing the current Chinese social and life situation that the basic concept of Chinese function of literary and art was formulated in the early 20th century by following the Japanese path,whose orientation is about life transformation at the dimension of human life and social reality as well as promotion of revolutionary utilitarianism and social realism.
作者
王德胜
尹一帆
WNAG De-sheng;YIN Yi-fan(School of Literature,Capital Normal University Beijing,100089)
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第6期90-96,156,共8页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
基金
教育部人文社科重点研究基地重大项目"中华美学精神与20世纪中国美学理论建构"(项目编号:17JJD720010)
全国文化名家暨"四个一批"人才自选课题