《礼拜五》的游戏——图尼埃的主体批判

Play in Friday:Tournier’s Critique of Subject

法国作家米歇尔·图尼埃青睐鲁滨逊这个现代神话,在小说处女作《礼拜五》中,他戏仿神话中的理性复制,将荒岛变成他的游戏场,向启蒙的现代主体发问。图尼埃的主体"实验"以一场爆炸为分水岭,分为复制时期和游戏时期两个泾渭分明的阶段。从理性复制到礼拜五和鲁滨孙的游戏,图尼埃直入启蒙现代性体系的主体观的中心,围绕这个封闭的逻各斯中心的压迫性结构展开解构的自由游戏,引发了对于"什么是理想的主体"和"如何建构理想的主体"等一众问题的思考。

Friday is Michel Tournier’s re-vision or re-writing of the modern myth of Robinson Crusoe.Through a comprehensive re-enactment of the rational reproduction in the original myth,Tournier turns the desert island into a field for play,in which he re-examines and problematizes the Enlightenment assumption of reason-first and reason-only subject.The re-enactment may be divided into two distinct stages:reproduction and play.As it proceeds,Tournier freeplays with the center of the logocentric repressive structure,and thus intriguing a reconsideration of the issue of ideal subjectivity.