钢琴作品中少数民族素材研究

Research on Minority Materials of Piano Works

钢琴艺术自传入我国一个世纪以来,在不断吸收西方先进音乐的同时,我国音乐家们注重运用自己的理解在钢琴艺术中加入少数民族元素而形成自己的音乐风格。少数民族音乐素材不管是从旋律上还是舞蹈风格方面,或者反映民族新面貌、新风尚方面,再到改良传统调式发展为结合传统少数民族音乐唱腔以及乐器方面都可以加入自己的理解。这些也是目前值得我国音乐艺术家思考的问题,此外,文章还探究了如何将融入少数民族元素的钢琴作品传扬出去,将少数民族化的中国钢琴艺术推向更大舞台的相关问题。

Since the introduction of piano art into China for a century, while absorbing Western advanced music,Chinese musicians have paid attention to using their own understanding to form ethnic music in the piano art to form their own musical style. Minority music materials can be added to their own understandings, whether they are from melody or dance style or reflecting the new face of the nation, to the improvement of the traditional style, and then to the combination of traditional minority music arias and musical instruments. These are also issues that are worthy of consideration by Chinese music artists. In addition, this article also explores how to spread the piano works incorporating minority elements and push the minority Chinese piano art to a larger stage.