摘要
将儒家美学与竹家具设计相融合,不仅有利于拓展中华民族的文化特色,而且也助于中国传统设计思想的承传出新,甚至对竹家具价值内涵的延伸也大有裨益。通过文献挖掘,总结了儒家美学的主要思想,阐述了儒家美学蕴含的设计观点和情感特性,并结合现代社会环境,提出了基于儒家设计观的竹家具设计思路。最后以材料、工艺、结构与形式要素为切入点,借助案例分析,重点阐述了竹家具情感设计的要求与做法。设计具有儒家美学的竹家具产品,不仅要质朴实用,关系和谐,而且还应具有一定审美情感,进而满足现代人的精神需求。
Combining Confucian aesthetics with bamboo furniture design is not only beneficial to expand the cultural characteristics of the China,but also helps to bring forth new ideas of traditional Chinese design,even the extension of the value connotation of bamboo furniture is of great benefit.Through literature mining,the paper summarized the main ideas of Confucian aesthetics,and expounded the design viewpoints and emotional features of Confucian aesthetics.Combined with modern social environment,the design idea of bamboo furniture based on the Confucian design concept was proposed.In the end,with the help of case analysis,from the parspectives of material,process,structure and form,the requirement and practice of the emotion design of bamboo furniture were expounded.Designing bamboo furniture products with Confucian aesthetics should not only be simple,practical and harmony,but also have a certain aesthetic feeling to meet the spiritual needs of modern people.
作者
朱云
ZHU Yun(School of Art & Design,Hui-zhou University,Huizhou 516007 ,Guangdong,China)
出处
《竹子学报》
北大核心
2017年第4期61-65,共5页
Journal of Bamboo Research
基金
广东省哲学社会科学规划项目(GD15YYS06)
广东省非物质文化遗产研究基地开放基金项目(650406)
惠州学院教授博士科研启动项目(2017JB002)
广东石油化工学院2016年度博士启动项目(660494)
关键词
儒家美学
竹家具设计
情感
审美
现代
Confucian aesthetics
Bamboo furniture design
Emotional
Aesthetic
Modern