论当代民族复兴进程中“武术文化传统”的复兴与重建

Revival and Reconstruction of Wushu Cultural Tradition in the Process of Chinese National Revival

在当代民族复兴进程中,传承与发展优秀传统文化,彰显文化自信与自觉已经成为全社会的强烈共识。与此同时,民族传统体育中"武术文化传统"的复兴形成了一种引人注目的文化现象。为进一步理解并探索"武术文化传统"复兴的表征、动因、内在逻辑模式以及重建所需坚守的思想理念与可能的实现路径等问题,推进民族复兴进程中武术文化资源创造性转化讨论的细致与深化,本研究综合运用文献资料、田野调查以及深入访谈等研究方法,对当代"武术文化传统"的复兴与重建问题进行了深入的分析。在梳理国内外关于"文化传统"相关代表性论述,并对"武术文化传统"进行讨论的基础上,研究指出:尚武精神、武术门派、拜师仪式、民俗武术等武术文化传统的复兴与再造,构成了当代武术文化传统复兴的典型性表征;武术主体寻求身份认同与自我启蒙、经济诉求与表征再造、"想象的共同体"的建构是中国武术文化传统复兴的重要动因;对武术文化传统符号的历时性借用与共时性置换构成了武术文化传统复兴的内在逻辑模式。研究最后提出,民族复兴进程中武术文化传统的重建,应秉持自身的传统,抱持一种面向日常生活的动态传统观,走"抽象"与"具象"相结合的重建路径,避免犯历史虚无主义与复古主义的错误。

In the process of contemporary national revival,it has become a strong consensus of the whole society to inherit and develop excellent traditional culture and to highlight cultural self-confidence and self-consciousness. At the same time,the revival of Wushu cultural tradition has formed a noticeable cultural phenomenon. This study aimed to further understand and explore the manifestation,motivation,internal logical model of the revival of Wushu cultural tradition,as well as the ideological concepts and possible ways to realize it,and to deepen and refine the creative transformation of Wushu cultural resources in the process of national revival. It analyzed the revival and reconstruction of Wushu cultural tradition by the methods of literature review,field investigation and interview. It sorted out the relevant representative expositions of cultural tradition at home and abroad,and discussed Wushu cultural tradition. It found that: The revival and reconstruction of Wushu cultural traditions,such as the spirit of martial arts,the school of martial arts,the ritual of worship to teachers and folk Wushu,constitute the typical characteristics of the revival of contemporary Wushu cultural traditions. Wushu subject seeking identity and self-enlightenment,economic appeal and representation reengineering,and the construction of "imaginary community"are important motives for the revival of traditional Chinese Wushu culture. Diachronic borrowing and synchronic replacement of traditional symbols of Wushu culture constitute the internal logical model of the revival of traditional Wushu culture. In the end,the study pointed out that the reconstruction of Wushu cultural tradition in the process of national revival should adhere to its own tradition,hold a dynamic traditional view oriented to daily life,take the revival path of combining"abstract"with"concrete"and avoid the mistakes of historical nihilism and retro-classicism.