试论儒家乐舞思想对汉代舞蹈的影响

On the Influence of Confucian Music and Dance Thought on the Dance of the Han Dynasty

舞蹈是表演艺术的一种,也是古代封建统治者祭祀、御民、娱乐的重要手段。以孔子开创,经孟子、荀子继承发展的儒家文化,是我国古代传统文化的瑰宝。儒家学派在乐舞的产生和实质、目的、作用以及乐舞的审美标准上都有自己的观点,而汉代统治者所确立的"罢黜百家,独尊儒术"的文化政策使得儒家乐舞思想在汉代舞蹈中体现得淋漓尽致,极大地影响了汉代舞蹈的特征,也影响了汉代舞蹈创作者的审美及创作方式,促进了汉代舞蹈的繁荣发展,使汉代成为中国古代舞蹈史上的第二个集大成时代,同时也影响了后世舞蹈的发展。

Dance, as an integral part of art, is also an important means for ancient feudal rulers to sacrifice, rule over the people, and entertain. The Confucian culture initiated by Confucius and inherited and developed by Mencius and Xunzi is a treasure of ancient Chinese traditional culture. The Confucian school has its own views on the production and essence of music and dance, its purpose, its role, and the aesthetic standards of music and dance.The rulers of the Han Dynasty established the " dismissal of 100 families. The cultural policy of " exclusive Confucianism" has made the Confucian music and dance ideology fully reflected in the Han Dynasty dance, greatly influenced the characteristics of the Han Dynasty dance, and also influenced the aesthetic and creative methods of the Han Dynasty dance creators, and promoted the prosperity and development of the Han Dynasty dance. The Han Dynasty became the second great era in the history of ancient Chinese dance, and it also influenced the development of dance in later generations. This article takes the Confucian music and dance education thought as the research object, through the elaboration of the connotation of Confucian music and dance thought, combs out the Confucian music and dance thought in the Han dynasty dance embodiment and the influence to the Han dynasty dance.