从“释尊宣说《法华经》唐卡”的画面布局对《法华经》的解义与比较

Explaining and Comparing the "The Lotus Sutra" from the Screen Layout of "A Thangka Painting of Shakyamuni's Teaching The Lotus Sutra(Saddharmapundarika Sutra)"

从一幅"释尊宣说《法华经》唐卡"的赏析,可衍生出多种解读。仅就其定名问题,各界主张亦不尽相同,综合当前各家主张,约有"《法华经》说""《如意藤》说""《譬喻经》说"等三种。以往学界关于此问题大多从绘画艺术角度谈及,本文则试图从宗教学的经学解义与比较等两个层面分别对其进行剖析。首先藉由经文文献的考义与判读,细究其所涉及的各章节名目,再对相近佛教经文试做比较与分析、批判来剖析此中异同,以判读此唐卡画作。

Many interpretations can be derived from the appreciation and analysis of "A Thangka Painting of Shakyamuni’s Teaching The Lotus Sutra(Saddharmapundarika Sutra)". On the issue of its name, the opinions of various circles are not the same. In light of the current various opinions, there are three kinds: "The Lotus Sutra","Avadanakalpalata" and "One Hundred Buddhist Parables".In the past, most of the academic circles talked about this issue from the perspective of painting art;this paper attempts to analyze it from two aspects-the Classics paraphrase and Comparison of the religious studies. First of all, through the examination and interpretation of the scriptures, we will examine the names of the chapters involved in it, and then compare, analyze and criticize the similar Buddhist scriptures to analyze the similarities and differences in order to interpret this Thangka painting.