摘要
长江流域荆楚文化圈薅草锣鼓中存在湘西北挖土锣鼓歌、鄂湘交界混融地带薅草锣鼓和鄂西南薅草锣鼓三个音乐文化层。通过对该文化圈薅草锣鼓的历史传统、演唱程序、音声形态等方面的研究,发现其形成的主要原因是社会生产力的提高对薅草锣鼓发展的推动作用和歌师傅的改造直接导致了薅草锣鼓的变革,从而促使它们逐步形成了不同的薅草锣鼓音乐文化层。
That there are three cultural layers of musical in the Jingchu cultural circle of the Yangtze River basin,namely, digging the earth gongs and drums in the northwest of Hunan Province, weeding gongs and drums of the mixed zone between Hubei and Hunan, and weeding gongs and drums in southwestern Hubei. Through the research on the historical tradition, singing procedure, sound and sound form and so on in this cultural circle, it is found that the main reason of its formation is that the improvement of social productivity promotes the development of the weeding gongs and drums and the transformation of the master of the song directly leads to the reform of the weeding gongs and drums, which makes them gradually form different cultural layers of music of the weeding gongs and drums.
作者
杨胜兴
YANG Sheng-xing(School of Music,Guizhou University,Guiyang,Guizhou 550025,China)
出处
《贵州民族研究》
CSSCI
北大核心
2018年第9期73-76,共4页
Guizhou Ethnic Studies
关键词
荆楚文化圈
薅草锣鼓
音乐文化层
形成原因
Jingchu cultural circle
weeding gongs and drums
the cultural layer of music
Cause of formation