摘要
以少数民族为创作对象的中国画,尤其是刻画人物的作品,深刻地反映出中华民族的历史发展轨迹和文化脉络。在此以少数民族元素在中国画创作中的运用为导向,探究分析少数民族元素在中国画创作中的历史进程,寻找这一类元素对于中国画的沿袭意义。论文主要从少数民族元素中国画的定义和特征切入,着重分析少数民族元素中国画的现状和存在的问题,提出对少数民族元素中国画创作的思考。
The Chinese paintings of ethnic minorities, especially those depicting characters, profoundly reflect the historical development of the Chinese nation. This paper mainly analyzes the application of minority elements in Chinese painting, the role of minority elements in the history and society of Chinese painting, and explores the significance of minority elements to Chinese painting. In this paper, the main to minority elements in traditional Chinese painting as the breakthrough point, the definition and characteristics of the ethnic minorities are emphatically analyzed elements of the current situation and existing problems of Chinese painting, thus put forward suggestions on ethnic Chinese painting creation.
作者
王超
孟凡行
WANG Chao;MENG Fan-hang(College of Art,Hubei University of Education,Wuhan,Hubei 430205,China;Southeast University,Nanjing,Jiangsu 211189,China)
出处
《贵州民族研究》
CSSCI
北大核心
2018年第9期135-139,共5页
Guizhou Ethnic Studies
关键词
少数民族
中国画
艺术创作
风土人情
Ethnic minorities
Chinese paintings
Art creation
Society environment