摘要
本文阐明了中国古典文论中“境界说”的特征,探讨了“移情说”对近代西方美学界的影响,将“移情说”与近代中国王国维的“境界说”两相比较,进而阐释其异同点以及“移情”因素在审美创造和审美鉴赏中的重要作用。
This paper firstly shows us how realm theory was produced and what character it is in old Chinese literature. Secondly, the paper compares it with the view of feeling injecting, a late western aesthetic viewpoint, and then contrast the two in terms of similarities and differences. In conclusion, it lays emphasis on the importance of the facts of feeling injecting when artists or readers are occupied with their interesting and creativework.
