当代中间代女性诗歌简论

A Study on Middle Generation of Contemporary Chinese Female Poets

中国当代女性诗歌在新时期的发展是受人瞩目的,但是在进入20世纪90年代个人化写作的大背景后,有一大批女性诗人及其作品在诗歌命名的史化进程中,却又被遮蔽遗漏在"第三代"与"70后"之间。出于一种身份上的焦虑以及女性诗歌对男性话语反叛书写的利弊权衡,中间代女性诗人坚守着对诗神的崇拜与热爱,在双重夹缝的焦虑中,以女性自身独特感受言说的自信,诗意地深入到日常生活中去,在激情与技术的结合中做出了精彩的突围表演。

The development of contemporary Chinese Women＇s Poetry in the new period was to be to- cused on attention. However, when it came into the 1990s, a large number of women poets and their works, as in the history of poetry＇s naming reform, was obscured and omitted between ＂the third genera- tion＂ and ＂the--after -70s＂. Even experienced such unevenly treatment between male and female poet, the middle generation of female poets preserved the love of poem and wrote poems with passions and made some brilliant breakthrough performances.