摘要
分析席勒的喜剧观,认为它主要强调主体从审美的高度上达到的对客体的超越性,并由此讨论中国现代话剧中的两个不同喜剧派别:讽刺喜剧与幽默喜剧的异同,重点探讨后者的创作特征。
This article suggests that schiller抯 comic theory mainly emphasizes the transcend the subject has achieved over object from the angle of aesthetics and on the basis of this premise, the article discusses further the similarities and differences between satirical comedy and humorous comedy —— two different comedian schools of contemporary Chinese drama, with an emphasis on the characteristics of the creation of the latter one.
出处
《武汉科技学院学报》
2002年第2期26-28,共3页
Journal of Wuhan Institute of Science and Technology
关键词
席勒
喜剧观
中国幽默喜剧
创作
Schiller
Comic theory
Chinese humorous comedy