摘要
本文通过对作品意义观的梳理 ,初步分析由作品再现世界、表达作者意图至作品作为文本自身的意义分析 ,到接受美学读者创造意义的意义观嬗变 ,着重认识现代解释学将作品、作家、世界、读者重新统一起来的重要意义。而作品意义观的嬗变潜在导源于哲学美学观的历史性转折 ,折射出人类价值观念的变迁。
In order to realize the important value of Contemporary Hermeneutics,the essay analyses a clear line of literary works' meaning view from expressing the world to expressing the author's intention,the text itself,the reader's reproduction.The transformation of literary works' meaning view comes from the historic convention of philosophy and aesthetics.It refracts the change and crisis of human being's value intention and the endeavour of overcoming the crisis.
出处
《甘肃教育学院学报(社会科学版)》
2002年第2期36-39,共4页
Journal of Gansu Education College(Social Sciences)