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“郑卫之音”述评 被引量:2

Commentary on"Zheng and Wei Kingdoms'Music
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摘要 在《诗经》研究史上有一个对“郑卫之音”批判的传统。从孔子到《乐记》是从音乐的角度来说“郑声淫”(过度 )的 ;到了宋代对“郑卫之音”作了曲解 ,认为是“淫奔之词” ;“五四”以后认为“淫奔之词”恰恰是反礼教的 ,值得肯定。纵观对“郑卫之音”的研究 ,主要局限一是没有注意“郑卫之音”的本意是指过度、过分 ;二是没有区分孔子个人爱好和评价标准的不同 ;三是没有区分孔子与后儒观点上的差异。 There has been a tradition of criticizing 'Zheng and Wei Kingdoms'Music' in history of research into 《The book of Songs》.Confucius and later 《Chronicles of Music》commented on'Zheng Kingdom's music being lewd'(excessive appeal) from the angle of music. During Song Dynasty 'Zheng and Wei Kingdoms'Music'was misinterpreted into 'eloping songs'.After the May Fourth Movement the 'eloping songs'were just regarded as fighting against the Confucian or feudal ethical code,so they were worth affirming.Having made a general survey of the research into'Zheng and Wei Kingdoms' Music',the author thought that its main limitations involved as follows:1.There was no paying attention to the original idea of'Zheng and Wei Kingdons' Music'referring to an excessive appeal;2.There was no differentiating between Confucius' personal interest and the criterion of the appraisal;3.There was no distinguishing viewpoint of Confucius from that of posterity of Confucian.
作者 郑苏淮
出处 《南昌高专学报》 2002年第1期25-29,共5页 Journal of Nanchang Junior College
关键词 "郑卫之音" 孔子 朱熹 音乐 郑声 音乐 诗经》 《论语》 音乐史 宋代 儒学 《乐记》 Zheng and Wei Kingdoms' Music' 'Zheng kingdom's music being lewd' Confucius Zhu Xi music
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