摘要
成仿吾是现代有影响的文学批评家,与他艺术派的立场相一致,他主张文学是“表现”而非“再现”,提出文学批评应有“同情”与“超越”。从具体的批评实践看,他的“同情”显然更在他的同志一边,而他的“超越”一方面凸显他的独特,但又时显偏激与片面,造成某种倾斜。这一切又与他峻急的性格和“超越”的意识密切相关。
CHENG Fang-wu is an influential modern literature critic whose idea of literature is expression not re-expression that is in conformity with his standpoint of arts. He puts forth that literature critique should have sympathy and transcendence . From his critic practice one can see that his sympathy is on the sides of his comrades while his transcendence reflects his uniqueness on the one hand and his extreme and one-sidedness on the on the other hand, thus causing inclination to a certain degree. All this has close relations with his impetuous character and transcendence consciousness.
出处
《天水师范学院学报》
2002年第1期20-23,共4页
Journal of Tianshui Normal University
关键词
成仿吾
文学批评
表现说
同情
文学本性体
超越意识
CHENG Fang-wu
literature critic
expression theory
sympathy
transcendence
inclination