摘要
花鸟画最早可追溯到距今六千年左右的新石器时期。唐朝绘画题材从宏观的山水画进入微观的花鸟画,花鸟画独立成科,五代是工笔花鸟画发展的关键阶段,被称为“黄家富贵,徐氏野逸”的黄筌和徐熙代表了当时的绘画风格。宋朝设立画院,画家深入生活,高度的写生制作技巧,表现神妙富丽的图式,成为世界绘画史上灿烂的一页。元、明、清工笔画逐渐衰落,水墨文人画兴起,近代受西方文化影响,新材料、新技法运用给工笔画带来了新的生机。
Flower and bird painting can be traced back as early as the New Stone Age about six thousand years ago. The painting subjects of Tang Dynasty ranged from macro mountains-and- waters painting to micro flower and bird painting which formed a family independently. The Five Dynasties was a key stage for the development of flower-and bird. Huang Quan who was noted for riches and Xu Xi for wildness represented the painting styles of the times. Song Dynasty established art academy and painters would plunge into the life. Their high techniques of sketching, expressing wonderful and magnificent styles became a splendid page in world painting history. Flower-and bird painting declined in Yuan, Ming and Qing Dynasties while ink and wash arose instead. Influenced by modern western culture, flower-and bird painting has been brought new life with the application of new materials and techniques.
出处
《天水师范学院学报》
2002年第1期89-91,共3页
Journal of Tianshui Normal University
关键词
中国画
传统工笔
画
花鸟画
绘画艺术
绘画技法
Chinese painting
traditional realistic painting
flower- and bird painting