摘要
胡风与何其芳的新诗创作有不同倾向。走上理论道路之后,一个具有独立的理论品格,独创的理论个性,始终结合创作经验;一个染上明显的教条主义,常常“忘记”创作经验。而后者的某些独立思考却又同被批判的前者暗合暗通,两者又都真诚相信自己是正确的。其中隐有特定历史时代的深刻的文化底蕴。
There are some different tendencies in Hu Feng and he Qifang's new-poetry-creation (One is about the struggling at the bottom of society. The other is about the reciting poetry with a cadence in the ivory tower. ) After engaged in the theoreti-cal research, Hu has independent and individual theoretical character and he still combines his theory with his creative experience from beginning to end. However, He catches obvious dogmatism and often neglects the creative experience. While some inde-pendent thoughts of latter is inwardly interlinked with the criticized former. But each of them believes himself right. There is pro-found and deep cultural connotation under social environment.
出处
《临沂师范学院学报》
2002年第2期108-112,共5页
Journal of Linyi Teachers' College