摘要
陈染的作品,在保留个人探索的先锋性的同时,又较早地显示出大众消费文化特征,因而具有了“超文本”的经典意义。这也透露出在20世纪90年代多重文化语境中,作家们以雅俗合流的创作参与市场竞争的自主意识,预示着传统文艺观将发生本质改变的某些征兆。
Chenyan's works,while keeping the avant-gardeship in her personal exploration, displayed the cultural feature of popular consumerism at an earlier time and thus acquired a classical significance of hypertext. In addition, they has disclosed, under the multi-cultural context of 1990's, the author's independent consciousness in participating market competition through their writing of the confluence of refinement and popularity, and also indicated some portents that the traditional outlook of arts would change in essence?
出处
《临沂师范学院学报》
2002年第2期113-114,共2页
Journal of Linyi Teachers' College