李渔《闲情偶寄》园林美学与戏曲理论的关系

On the Relationship between Liyu's Garden Aesthetics and Dramatic Theory

李渔的《闲情偶寄》在我国戏曲理论史上占据重要位置 ,在园林美学上的成就也渐渐引起重视。其实 ,在二者之间存在着高度的一致或相通之处。“代山代水”与“代言” ,对于李渔来说 ,都不过是逃避现实 ,以寄托文人梦想的家园 ;而“贵自然”、“尚奇求新”、“通变” 。

Li Yus Xian Qing Ou Ji is very important in the history of Chinese dramatic theory .We also attach some importance to the achievement in garden aesthetics.There exist some identical points between them.Li Yu thought that garden and drama were just homelands for men of letters to entrust their ideal and escape from the reality.In the field of garden aesthetics and dramatic theory,Li Yu advocated seeking naturalism,trying something new and strange,and pursuing change.