摘要
中国诗歌自格律化以来,已有千余年的发展史。在其漫长的演进过程中,格律体式已成为其继续提升的桎梏。到新文化运动,这种体式被彻底打破,而在新诗格律化建设中,无数次试验均收效甚微。从新诗史的角度考察,中国新诗的自由形式更合于新诗本身的品性,不定型就是其已有或应有形式。当然,这种形式上的自由并非“绝端的自由”,而是有着审美控制力的自由。对形式美的自觉追求,应是中国新诗发展的题中之义。
The Chinese new poetry(C.N.P.)has the history of about 1,000 years since it began with metre pattern.With the evolution of poetry,metre pattern,which had lost its centrel position and hadn't made any progress when it was used to write,became the shackles to the developing of C.N.P.gradually.The free pattern must be the correct one and the uncertain pattern is the real pattern of C.N.P,according to the history of C.N.P. Of course,the free pattern is not nonsense,it is based on aesthetics.Generally speaking,seeking for the beauty of pattern is the key point to the development of C.N.P.
出处
《涪陵师范学院学报》
2002年第2期21-23,共3页
JOurnal of Fuling Teachers College