笙馨同音 宗旨如一──略论《文心雕龙》对《文选》的影响

A Brief Analysis of the Influence of The Literary Mind and the Carving of Dragons over The Wen Xuan

《文心雕龙》书名是刘勰文学观点的集中体现，它强调的是精妙的艺术构思与精美的文学语言的有机结合；而《文选》的选文标准“事出于沉思，义归乎翰藻”，则是萧统文学观点的典型反映。其“沉思”之想与“文心”之思，“翰藻”之文与“雕龙”之采，名异而实同，都体现了他们注重内容与形式相结合的文学观点。《文心》所论文体３４种，《文选》３９种，两书基本相同的文体选目近２０种。其渊源有自，一目了然。

The very title of The Literary Mind and the Carving of Dragons by Liu Xie is an embodiment of his literary views and what it emphasizes is the organic integration of the exquisite artistic conception and diction; meanwhile, the criterion thereby Xiao Tong adopts for The Wen Xuan is' careful quoting of allusions and ancient classics, and elegance of form and diction', which represents his understanding of literature. His 'careful quoting' and Liu 's 'literary mind ' ,his 'emphasis on elegance of form and diction'and Liu's 'carving of dragons' are two names for one thing. This reveals their focus on the combination of content and form. The Literary Mind and Carving of Dragons discusses 34 types of writing, while The Wen Xuan gives a list of 39, with about 20 overlapping in their lists. The influence of the former over the latter is most obvious.