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论冯梦龙、凌濛初对李渔小说创作与理论的影响

On the Inheritance of Li Yu's Fiction and Theory from Feng Meng Long and Ling Meng Chu
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摘要 渔是清初最好的拟话本作者之一,他继承了明末拟话本大家冯梦龙和凌濛初二人开拓的拟话本创作的优秀传统。表现在:李渔的《无声戏》模仿“三言”的体例,集中每两回小说从篇名、内容到结构均两两对应;从李渔笔下的人物、情节、主题往往可以找到“三言二拍”的影子;在小说理论上,他吸纳和融合冯、凌二人的思想,形成自己的创作理念。 Li Yu is one of the most outstanding novelists in the early Qing Dynasty because of the inheritance in literary tradition from two excellent writers in late Ming Dynasty , Feng Meng Long and Ling Meng Chu .Li Yu's Wu Sheng Xi imitates the style of 'San Yan' in antithetic tide, contents and structure. His models of character, plot and dieme are also influenced by ' Son Yon and Er Pai'. And the novel theories of Feng and Ling take effect on Li Yu to form his own theory.
作者 雷晓彤
出处 《江西师范大学学报(哲学社会科学版)》 2002年第2期45-49,共5页 Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词 结构体例 主题 人物类型 李渔 小说 style and structure theme model of character admonition and entertainment strange and normal
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参考文献6

  • 1[明]冯梦龙.警世通言[M]中国社会出版社,1999.
  • 2(明)凌?初著,冷时峻标.拍案惊奇[M]上海古籍出版社,1992.
  • 3(明)凌濛初,.二刻拍案惊奇[M]上海古籍出版社,1989.
  • 4(清)李渔著,丁锡根.无声戏[M]人民文学出版社,1989.
  • 5凌濛初 著,章培恒.拍案惊奇[M]上海古籍出版社,1982.
  • 6(清)李渔 著,浙江古籍出版社.李渔全集[M]浙江古籍出版社.

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