摘要
90年代汉语诗歌所论之民间可分为两大类 :一是作为类的民间 ;一是作为非类的民间。在作为类的民间论中有三种观点 ,即民间立场虚无论、民间是一种立场论和民间立场是一种品质论。此三种界定的前提是将民间看作了一种类概念 ,结果使作为个体的民间消泯 ,类使个体平均化为同一。作为非类的个体的民间正是要突破类的规约 ,以达到差别性的个体真实地敞开。新诗 90年代面临的正是如何逃离类的民间 ,而取向非类的个体的姿态问题。
The Chinese poems discussed in 1990s can be divided into two classes: one is the folk of class, the other is the folk of non-class. There are three viewpoints in the class of folk. They are nihilistic standpoint of folk, standpoint of folk and quality standpoint of folk. These viewpoints premise is to regard folk as a conception of 'class', thus the folk as an individual vanishes gradually. The non-class of single folk has to break through the boundary of class so as to achieve the existence of variety. What the poems in 1990s are confronted with is the problem of how to escape from the folk of class to the folk of non-class.
出处
《常熟高专学报》
2002年第3期64-68,共5页
Journal of Changshu College