摘要
本文从青年男女本能情欲与礼教信条之间天然对峙的角度切入,对古典名剧《西厢记》的戏剧冲突重新予以发掘和体认。文章认为:贯穿《西厢记》全剧的戏剧冲突,是崔、张由一见钟情的爱恋发展而来的自主婚姻理想与门第婚姻观念、礼教禁忌的激烈碰撞。剧作家让一对儿痴情恋人在经历过这种种波折之后最终结成美满“眷属”,雄辩地证明了情对礼的战胜与超越。
This paper discusses the natural antagonism of love and protocol between the young men and young women. We gain the further understanding to the fame is classical drama 《xi xiang ji》. Cui and zhang's love process in it reflected the sharp conflict between the autonomous marriage and the protocal taboo.
出处
《河南广播电视大学学报》
2002年第2期17-22,38,共7页
Journal of Henan Radio & TV University