摘要
谢月兆,是继谢灵运之后,南朝山水诗的又一个突出代表。他对大谢既有继承又有突破,形成了自己独特的清新风格。本文试从情感、结构及语言三方面对二人加以比较,以论述小谢山水诗创作的艺术新变。
After Xie Ling-yun ,Xie Tiao was another remarkable representative of scenery poets in Nan Dynasty. As to the former's works, Xie Tiao both inherited and created, forming his own fresh style. This article compares them from the aspects of feeling,structure and language and then states Little Xie's new artistic style.
出处
《安徽广播电视大学学报》
2002年第2期73-75,共3页
Journal of Anhui Radio & TV University